Wednesday, September 3, 2014

Warby Parker Fall 2014: More than just ‘makers’ of eyewear


Design is a lot like life; if you keep doing what you’ve always done, chances are you’ll remain where you’ve always been. Great design moments throughout history were those that shifted the scope of broad collective thinking into a new era. In recent memory for example, the iPod became one of those major shifts because of the way it changed how we carried and purchased our music, while also laying the foundation for the products that followed it. Effective design is able to transform the way we live, plan, and shape our lives. Since its inception, eyewear brand Warby Parker has managed to bring to life those great design moments through their “rebellious spirit” and “lofty objective”. The brand takes a “socially-conscious” approach to eyewear design and construction. Warby Parker’s Fall 2014 collection will be available starting from 3 September 2014, and we at Phsics Media are excited to contribute towards this great collection’s exposure.  


When viewing Warby Parker’s Fall 2014 collection, thoughtfulness and personality are the first things that come to mind. This new collection proves that Warby Parker are more than just makers of eyewear. Each piece reflects a push towards a broad-minded kind of thoughtfulness: one that is aware and forward-looking. The nine piece collection is comprised of updated acetate frames with titanium temples, brand new styles in crystal, and angular silhouettes. They’ve also added two new hues, namely the Stripped Pacific and the Petal Tortoise. We love how each style is able to speak the personality of its wearer. This shows that great product making takes place when nobody is excluded, and that’s powerful. Go do great things!  



The Warby Parker Fall 2014 collection can be viewed here 

Images courtesy of Warby Parker 

Saturday, June 21, 2014

A Universal Language: Maddy's Story

article originally published in phsicsmag's A Universal Language issue available for download here

Following their successful debut EP in 2011, Sound Fx grew to become one of hip hop’s hidden treasures. The duo would go on to release 2 EPs and 3 mixtapes. It was in 2013 that Sound Fx would bid farewell to their fans through the release of Empathy, a powerful and thought provoking body of work. Upon initial contact with the guys, I managed to get through to Sound Fx member Maddy McFly. Our first exchange was short and thorough. He was excited about my invite to be part of the AUL feature story. Maddy would later confirm with me that Empathy was it; Sound Fx would be no more.

Empathy taps into the soul of its listener. Apart from igniting passion, this album is also able to almost imprison you, causing feelings to fluctuate throughout its flow. Accompanying its solemn storyline is a musical album with melodic cords, imaginative basslines, samples which were appropriately selected and impeccably chopped, and an almost ‘sequential harmony’. Empathy speaks the universal language; whether it’s the universal language of love, pain, or frustration. To put a full stop on Sound Fx is perhaps premature at this stage. I’m waiting for the day these two will be back in studio working together again. Maddy McFly is more than an art-piece figure on the wall of music. His passionate discourse in the AUL documentary film reflects on his hunger and drive.



phsicsmag (p): Based on your understanding,what would you say constitutes to the idea of “a universal language”?

Maddy McFly (MM): I believe a universal language is a language that transcends the barriers of race, culture, politics, and religion.It is a language that is understood by all regardless of background. A universal language is felt and not spoken, it is relatable by pure emotion because that is the greatest and deepest level of connection we can have with one another as humans.



p: Do you feel music is still the “universal language” it once was, or are artists better off creating musical niches for themselves? 

MM: I do believe music is and will always be a universal language because rhythm is felt and not spoken. With the growth of technology we see more and more people turning to music as a form of communication so i do believe music is still a universal outlet. We don’t all speak the same languages but we all feel the same emotions and good music is emotional. It connects us all whether we are aware of it or not.


For more on the AUL Story:
A Universal Language Film can be watched here
Phsics Media online platforms Digital Timeless Facebook / Youtube / Twitter 

Wednesday, April 30, 2014

Perpetual rags of the second-hand clothing market



article originally published in phsicsmag's A Universal Language issue available for download here

Much of the commentary around the secondhand clothing market seems to be content with continuing on with the current secondhand clothing business model provided clothes in Western countries don’t pile up at landfills. Fashion is increasingly becoming disposable because of the way conventional retail has diminished what used to be considered as one’s ‘basic capsule’; a pair of jeans, a coat, a few dress shirts, and so on. Fast fashion retail isn't the sole contributor to the issue of unwanted clothes.  In the secondhand market, charities collect clothes from donors and sell them to secondhand dealers at a profit. The dealers determine among themselves, the market prices for the clothes without any economic references. When you factor all that in, along with the imported clothes from low income sourcing destinations which drive up the demand for secondhand items by contributing to contractions in domestic textile industries, the secondhand issue is enormous. 


I would like to respond to some critical questions on this topic which aren't being answered. Do we need a secondhand clothing market? Yes, I believe people should be given the right to choose to buy secondhand goods or otherwise. Should we regulate it? Yes, especially in countries where domestic industries are hurt by it. Does it add value? Sadly not; even though affordability is certain, the economic considerations for producing brand new clothes through stimulating local economies are far much greater. Even the people employed by the secondhand clothing market would  be better off benefiting from established, transparent, regulated industries where things such as retirement plans and social benefits actually exist. What should retailers do to prevent stockpiles of unwanted clothes? Perhaps fast fashion’s next drive should be to recycle clothes. You return an old unwanted item to a Zara or H&M and they top up your purchasing credit with it or something similar. This will be more aboveboard and less stringent on resources. The secondhand clothing market is a present day reality.

For more on the AUL Story:
A Universal Language Film can be watched here
Phsics Media online platforms Digital Timeless Facebook / Youtube / Twitter